Righteous Reviews
Warming up the popcorn…
Righteous Reviews
Warming up the popcorn…


ABC's The Rookie (TV-14) premiered October 16, 2018, created by Alexi Hawley and starring Nathan Fillion as John Nolan—a newly divorced fortysomething who becomes the oldest rookie in the LAPD after helping stop a bank robbery. Early seasons play like an optimistic fish-out-of-water workplace drama with heart, mentorship, and case-of-the-day energy closer to comfort TV than grim prestige cop shows. As the series runs into later seasons (now a long-running ensemble with Nolan as a training officer, spin-off territory, and higher-stakes arcs), the tone hardens: serial-killer storylines, more frequent shootouts, heavier relationship drama, and occasional social-issue / identity storylines. Families will find genuine themes of second chances, service, courage, and justice—especially around Nolan—but should treat this as a teen-and-up procedural that grows more intense and culturally modern after Season 1, not a static "clean" sitcom-adjacent show.
Rated TV-14 with generally mild network-TV language across the run. Common Sense Media and Plugged In note coarse words such as damn, hell, ass, bitch, bastard, and piss, plus occasional misuse of God's name—not a constant barrage of strong profanity. Season 1 already uses that lighter coarse register (e.g., Plugged In's review of "The Roundup"), and later seasons stay in the same broadcast lane rather than shifting to cable-level swearing. Language alone is usually manageable for mature teens; the bigger maturity filters are violence, romance, and worldview content as the show evolves.
Mostly appropriate language
Sexual content is restrained for a cop show but not absent, and it grows with the ensemble's personal lives. Early seasons include romance (including a prohibited rookie/rookie attraction), references to prostitution, and suggestive situations such as officers interrupting people in underwear. Middle and later seasons lean harder into dating, marriage, cohabitation, and implied sexual relationships—Plugged In's Season 8 notes include couples under bedsheets and crude sexual banter—while still avoiding explicit sex scenes typical of premium cable. Violence is the other adult filter: shootouts, blood, abductions, and later serial-killer arcs (notably Rosalind Dyer) make the show more intense than the 2018 premiere's lighter procedural vibe. Treat adult content as a caution for younger teens, especially if bingeing later seasons.
Some adult content
The series regularly depicts policing, community trust, misconduct, and reform-minded officers without becoming a pure partisan lecture. Early seasons emphasize Nolan's idealism and training-officer debates about what "good policing" looks like; later seasons, airing through the post-2020 cultural climate, more often touch racial justice, institutional scrutiny, and progressive workplace norms. Parent guides generally describe the framing as thoughtful-to-predictably progressive rather than constant soapboxing. Families who want entertainment free of contemporary policing politics should expect intermittent issue episodes, especially from the middle seasons onward, while still finding a broadly pro-service, pro-justice throughline around Nolan and his peers.
Minimal political content
At premiere (2018 / Season 1), the show is mainly a conventional male/female ensemble procedural with workplace romance. LGBTQ content becomes clearer soon after: Season 2 includes Jackson West dating a man (Sterling Freeman / Skipper Young), presented as a normal relationship beat. Season 3's "Triple Duty" (May 2021) features transgender actress Alexandra Billings as Sergeant Stella Porter in a sympathetic guest role—the kind of identity-affirming beat Christian parental guides specifically flag. Plugged In also notes ongoing sexual/LGBT themes as the series continues, and the related Rookie: Feds spin-off went further with a same-sex romance. For a series-wide score, this lands at caution: early episodes are lighter on gender/sexuality ideology, but families holding a Genesis 1:27 view of sex and marriage should know those themes enter by Season 2–3 and remain part of the show's modern network DNA.
Some non-binary themes
The strongest biblical resonance is Nolan's second-chance calling, mercy toward the vulnerable, courage under pressure, and a Romans 13-style picture of officers as servants who restrain evil—especially vivid in Seasons 1–2 when the premise is still "oldest rookie trying to do good." Alignment weakens as the show evolves: violence and trauma become more central; romantic/sexual storylines multiply; LGBTQ and gender-identity moments are affirmed; and from Season 5 onward Celina Juarez's astrology, auras, dreams, and superstition introduce occult-adjacent spirituality that Scripture warns against treating as guidance. Net: earlier seasons are closer to broadly acceptable comfort drama with real virtue; the cumulative series needs parental guidance and conversation rather than an unqualified green light.
Some biblical concerns
The Rookie